18 October, 2010
philly works. it’s that simple. my experience as a musician playing in the city of brotherly love has been the model of what’s supposed to happen, when it’s supposed to happen, how it’s supposed to happen.
early on, i got hooked up with my friend jesse lundy, who was promoting with the awesome rich kardon at the point. they believed in me when i was still a wee pup figuring out my show. they set me up in little coffeehouses and opening for bigger acts in places like the TLA, until i graduated to my own shows at the point.
one of my favorite stories ever as a musician began one night at the point. i had heard susan werner at a folk festival in the summer of 1998. she blew my mind. i began to study her records and shows like a med student cramming for boards. i found out that she lived near the point, and through friends, had contacted her to invite her to a show i was playing there that fall. i put her name on the guest list that night, and after the show, i scanned the buzzing crowd hopefully, looking for her. i didnt see her, and felt disappointed that she had somehow missed the show.
11 October, 2010
this week’s download is “la petite mort” (or “the oh estelle” song), from the original versionof Distillation. it tells the story of a wedding day gone wrong!
i went to school in providence RI, a medium-sized city with a gritty arts scene and a surrealist bent to its public art. living in a city was a new experience for me. i had grown up in a small town in virginia, and, at the time, it was far enough away from DC to feel like its own entity. today, with the swell of cookie cutter housing developments, it’s harder to make that argument.
i started my career in high school, and by the fall of my freshman year in providence, i was in full swing. i didnt have a car, but i could “tour” by taking the bus to boston, or northampton, philly, or… new york. i’d been to the City a few times as a kid, and then later to visit some older high school friends. but starting to play there seemed daunting.